CuratorWork

Alfredo Cramerotti


Art + Tech Director, Curator, Writer, Publisher

Office address: mm:museum [Media Majlis] @ Northwestern Qatar, Education City, Doha, Qatar
 - CuratorWork / CuratorView is an artsphere website

Zawaya W Afkar: The Value, Formats, and Impact of Public Art. Alfredo Cramerotti, Random International and Omar Al Braik in conversation for KSA Visual Arts Commission & Royal Commission for Riyadh City

talk, panel, conversation

Artist:
© CuratorWork / © CuratorView / © Alfredo Cramerotti [2024]
Conversation between Alfredo Cramerotti, Random International and Omar Al Braik as part of Noor Riyadh 2024

As part of Noor Riyadh 2024, a panel was organized by the Visual Arts Commission of KSA Ministry if Culture and the Royal Commission for Riyadh City. Among other topics discussed were the following:

The Value, Formats, and Impact of Public Art

1. Temporary vs permanent frameworks

Public art festivals often operate within a paradox: the artworks are temporary, yet the framework of the festival is enduring. How do each of you see this dynamic shaping the way public art is conceived, produced, and remembered? How does this influence your respective roles as artists and curators in creating lasting impact through ephemeral works?

2. Art in public spaces and audience engagement

Public art removes the barriers of traditional exhibition spaces, embedding itself in the everyday lives of a location’s inhabitants. What are some of the most meaningful ways you’ve seen public art influence communities socially, aesthetically, or culturally? And how do you measure its success in reaching audiences who might not otherwise engage with contemporary art?

3. The Role of “festivilization" in the art ecosystem

The rise of art festivals mirrors the phenomenon of “biennalization.” How do you see these recurring events contributing to the sustainability of the art ecosystem? In your view, do they adequately address the needs of artists, producers, and audiences, or are there inherent challenges in creating long-term legacies through such initiatives?

4. Sustainability, economy and cultural legacy

For both artists and producers, public art festivals can serve as platforms for visibility and income. However, there’s often tension between creating work that is immediate and relevant versus work that contributes to a lasting cultural legacy. How do you navigate or reconcile this tension in your practice or curatorial work?

5. Innovation and experimentation in public art formats

Random International’s practice is known for pushing the boundaries of interactivity and technological innovation. Omar and Alfredo, as curators, how do you see the role of experimentation in public art projects contributing to broader cultural conversations? How can festivals like Noor Riyadh foster more risk-taking and innovation in their programming?

6. Evolving expectations of public art

As the global art audience becomes increasingly diverse, public art is expected to address a wide range of themes - from local heritage to global issues such as sustainability or migration. How do you balance addressing these expectations while maintaining the artistic integrity and vision of the project?