CuratorWork

Alfredo Cramerotti


Writer, curator, publisher and contemporary artist.

Office address: MOSTYN Wales, 12 Vaughan Street, Llandudno LL30 1AB, UK - CuratorWork is an artsphere website

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MOSTYN | Women's Art Society II [institutional leadership]

MOSTYN | Women's Art Society II [institutional leadership]

18 Jul 2015 - 1 Nov 2015
Women's Art Society II group exhibition. Participating artists: Cornelia Baltes, Sol Calero, Ditte Gantriis, Lydia Gifford, May Hands, Jamian Juliano-Villani, Ella Kruglyanskaya, Shani Rhys James, Caragh Thuring and a historical presentation of artefacts and images.

Details of Exhibition

Women's Art Society II is the fifth in a series of exhibitions reflecting on the rich heritage and history of the gallery building. The show is a sequel to the first Women's Art Society exhibition in 2013, which took as its starting point the gallery's founding in 1901 as the first art space in the world built specifically to house the work of female artists, in this case the work of the Gwynedd Ladies' Art Society.

Women's Art Society II continues the spirit of the original Ladies' Art Society, inviting nine internationally active female artists to introduce work in the gallery space over 100 years on. In part, a survey of the discipline of painting today, the works display a range of approaches, styles and conceptual concerns, and point to painting’s continued relevance. The work of contemporary artists will be shown alongside a historical element, which examines the local art scene leading up to the formation of both the Royal Cambrian Academy and the Gwynedd Ladies' Art Society (GLAS).  This exhibition is curated by Adam Carr (MOSTYN Visual Arts Programme Curator) and produced by MOSTYN, Wales UK.

An illustrated publication will accompany the exhibition featuring a curatorial essay and texts on the participating artists by Adam Carr, a foreword-text by Alfredo Cramerotti (MOSTYN Director) and texts on the historical research process by Jane Matthews (MOSTYN Engagement Manager).  #WomensArtSociety2
Image courtesy Shani Rhys James

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