Through experimentation and juxtaposition, he repurposed and transformed discarded, obsolescent debris into new objects and spatial installations. Since this time, found objects have formed a basis for his works, which are in turn frequently marked by the imaginary world of socialist ideology: the objects’ original purposes are lost as far as possible, whilst the half-life of their ideological re-packaging remains intact.
This exhibition at MOSTYN , comprising old and new works, draws on his past experience while growing up in Cuba but transfers those experiences to European and Western dimensions. The show includes, amongst others, Let us see if a million people can be silent , a full-scale, site-specific wall mural made of regular, diagrammatic waves, each one representing a font used to quote Fidel Castro; a series of fruit sculptures; a room installation; a series of works on canvas and offset printed paper; and Years, a fragile, six-meter-high construction of rusty steel—a partition of numbers, namely of the years 1959 to 2008, in descending order.
This exhibition is curated by Alfredo Cramerotti (Director, MOSTYN) and produced by MOSTYN. The exhibition is made possible with the additional support of Marlborough Contemporary, London and Federico Luger Gallery, Milan. #diangohernandez / #timeislands / #mostyngallery Image: Words to Sea (detail) by Diango Hernández 2015. Courtesy of Marlborough Contemporary, Alexander and Bonin, Galerie Barbara Thumm and Nicolas Krupp. Photo: Anne Pöhlmann