Works / Talks / De/coding the Apocalypse: Exhibition Discussion at CenSAMM

De/coding the Apocalypse: Exhibition Discussion at CenSAMM 2018 by Alfredo Cramerotti

De/coding the Apocalypse: Exhibition Discussion at CenSAMM  2018

A conversation with CenSAMM project director, Simon Robinson talks to artist, Michael Takeo Magruder and exhibition curator, Alfredo Cramerotti.

The word ‘apocalypse’ originally indicated an ‘unveiling’, and the speaker in the Book of Revelation is a ‘seer’. This is perhaps one of the reasons that this ancient text (and others like it) have generated such a ferment of creative responses in the visual arts – as well as those other non-visual strands of the arts which have their own way of engaging our mind’s eye.

The rich variety of types of artistic unveiling (visual, musical, dramatic, literary) makes an engagement with the creative arts a deeply valuable way of understanding and appreciating the idea of apocalypse, alongside more traditionally academic modes of enquiry.

This conference seeks to explore our relationship to art, its practice, its study and what the arts unveil to us. As artists or as audiences of art we can be profoundly transformed by our encounters with artistic creativity; indeed, we can find ourselves using the language of revelation to describe such encounters, regardless of our individual faith, religion or beliefs. Mark Rothko is quoted as saying, “the people who weep before my pictures are having the same religious experience I had when I painted them.”